Artist information Sort name: Sterling, Keith Type: Person Gender: Male Born: 1952-01 (68 years ago) Area: Jamaica Rating Genres (none) Other tags (none) See all tags External links Discogs en: Keith Sterling Wikidata: Q6385068 View all relationships Editing Log in to edit Open edits Editing history Subscriptions Subscribe Subscribers Last updated on 2013-06-16 02:10 UTC Donate Wiki Forums IRC Bug Tracker Blog Twitter Use beta site Brought to you by MetaBrainz Foundation and our sponsors and supporters.Cover Art provided by the Cover Art Archive.
Jackie Mittoo Interpretations And Improvisations Full Blast AllWorld War II really decimated the big bands in the United States, Malcolm says, but the big bands in Jamaica were going full blast all the way through the war.Like much of the city, many streets in Jamaicas capital need fixing, and the combination of potholes, narrow paths and seemingly random traffic patterns can make for a wild ride.
Neither one seems particularly happy about being in Kingston today. Touring the city brings up many good memories for these two friends, but Alexander and Ranglin see the harsh economic realities that plague the cultural center of Jamaica and their thoughts turn bittersweet. Alexander is mostly silent as well, but hes anxiously taking in the scene of the city he called home until he moved with his family to Miami in 1962. A couple times during our trip Alexander wonders if we are in a safe area. Our driver assures him we are fine each time, and Alexander goes back to gazing upon Kingston, where almost 700,000 people-about a third of the islands population-live, with shantytowns right next to gated yards. Now called Tuff Gong Recording Studio since the Marley family bought it in 1981, the structure used to be known as Ken Khouris Federal Recording Studio. Jackie Mittoo Interpretations And Improvisations Trial Part OfIt was in this building, located in an industrial part of south Kingston, that history was made. I remember I couldnt wait to come out here and buy the saltfish fritter and the Irish moss and all the drinks. ![]() ![]() He has found newspaper references to jazz as far back as the 1920s. I can say with certainty that jazz was in Jamaica by the early 20s, if not earlier. In fact, I have read suggestions that jazz was in Jamaica as early as the late teens. Its likely that the Gleaner wouldnt pay attention, he says of the leading Jamaican newspaper, which has published since 1834 and, until relatively recently, ignored downtown cultural trends in favor of the upper crust. Along with several concerts by sailors in port in the late teens, there were numerous minstrel groups from America who could have introduced jazz. Also, Marcus Garvey was organizing concerts in the teens, he says, invoking the name of the Jamaican firebrand activist and entrepreneur who is now a national hero. ![]() However, it wasnt until the mid-1930s that organized, annual dance-band competitions began being held in Kingston. Some of the bands that competed in these competitions included the Kings Rhythm Aces and the Rhythm Raiders. Malcolm is a trombonist, composer and arranger who formed the Afro-Jamaican Rhythms in 1962 after conversations with Machito and Mongo Santamaria. His group was by far the tightest and most advanced ska group in the era, seamlessly blending Jamaican folk music and jazz and easily mixing harmonic and rhythmic complexities into their always grooving dance-band sound. He lived in Panama as a youth because, like so many other West Indians, his trombone-playing father went there to work on the Panama Canal. A USO club on Old Hope Road in Kingston provided entertainment for the servicemen and work for Jamaican musicians.
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